Reader Karin asked a great question. What did women wear in very wet climates? With all my research on warm winter coats and boots, I neglected to talk about the difficulty of staying dry in rainy weather. Turning to my favorite vintage source, catalogs, I found a wide variety of wool coats and fur-lined boots but only a few options for waterproof vintage raincoats or rain slickers, rain hats, and umbrellas. Hmmm, it seems that staying dry wasn’t nearly as sellable as staying warm and fashionable. Or perhaps it was because a thick wool coat did a pretty good job of providing both warmth and dryness except in extreme rain.
Let us do some singing in the rain and dance our way through the vintage history of women’s raincoats and rain hats from the 1920s, 1930s, 1940s, and 1950s.
1920s Rain Slickers
The turn of the century introduced a new technique of rubberizing fabric that was soft and pliable and ready for use in clothing. It didn’t breath well and was prone to deterioration from natural body oils but it was better than wearing a stiff rubber slicker or heavy oilcloth. The rubberized cloth was usually sewn with a top cloth, like a lining, of wool or cotton. In the ad below, Bombazine, a cotton fabric with a rubberized inner surface was used for making raincoats and rain hats. It came in both a smooth and textured finished like tweed or spun wool. These raincoats or rain slickers mimicked the coat fashion of the time– longer length, loose belt, high roll / convertible collar and large pockets. The matching hats were shaped like a mop cap or shower cap with a turndown brim. Popular 1920s raincoat colors were tan, navy blue and grey.
The rain cape was another waterproof style for women and children. In the ad below a child wears the rain cape with attached hat. The cape wrapped around the body and buttoned up the front with two slit holes on either side for the arms.
In the mid to late 1920s we see more variety of cloth offered in raincoats. Canvas cloth which is not rubberized but generally water repellant was borrowed from menswear and adapted for women. Oilcloth too was adopted as a better but very heavy alternative. Then there was glossy leatherette which I believe was just rubber (looks like vinyl.) The one on the left is quite modern for the times. “Made of heavy twill leatherette. Piped in white. You can choose four good shades: Red, Navy, Brown, Black.” The new bold colors and white trim make it very mod indeed. Other colors from the era include yellow, green and gas blue.
Rain hats adjusted to the changes in women’s hat fashion. The mid 20s rain hat was now shaped like a cloche with wide fold up brim that could also snap down for more protection. With an umbrella, there wasn’t much need for a separate rain hat because the all wool felt fashion hat was quite rainproof already.
1930s Raincoats & Capes
In the 1930s, the rain cape was the preferred waterproof cover. This was largely due to the poor economy during the depression. Not needing to buy an expensive separate raincoat and only wearing a light repellant rain cape was very economical. The cape was long, worn down to the ankles, and wrapped instead of buttoned, securing with a thin rubber tie belt (optional.) Some capes had attached hoods while others had large round collars that echoed dress collars worn underneath. Most raincapes did not have sleeves or arm holes like they did in the 1920s. Colors were still bright: red, brown, natural (tan), medium blue, medium green, and white.
The slip over rain jacket did have sleeves and also came in translucent materials. This new see-through raincoat was just the thing women needed to show off the beauty of their clothing underneath. Raincapes and coats were sold with a pretty silk oiled envelope bag to fold up and stash away upon going inside. The clear coat on the right also came with a clear bag with handle.
By the end of the decade, the economy was improving and women returned to buying raincoats that looked exactly like fashion coats. The polo coat was an especially popular design. It later became the trench coat with double breasted front, wide belt, side pockets, and storm staps on the wrists. Many coats were not rubberized. Instead, they were made from tightly woven cotton cloth in a variety of textures like suede, tweed, nubby cotton, and the most famous Gabardine. Gabardine went on to dominate men’s and women’s coats and jackets in the ’40s and ’50s. Light and flexible yet generally water repellent. It didn’t replace a rubber rain cape in bad weather but for general wear, it was a good choice. Colors for these more fashionable coats were navy blue, gray, medium brown, and tan.
The 1930s coats in the above picture were rubberized polo coats. They came in all rubber, crepe de chine, oiled silk, and cotton tweed. I love the plaid coat with the over cape and matching umbrella. Notice the raincape with arm holes came back in fashion too.
With the exception of hooded capes and raincoats, there were no special rain hats featured in any of my catalogs. There probably were some, shaped like a jaunty fedora just like they were in the 1940s.
New inventions during and after the war led to new treatments for waterproofing fabrics. I don’t know exactly what these treatments were (textile production is not my area of expertise). The catalogs just refer to “treated” or “coated” waterproof fabrics. However, most 1940s raincoats were made of cotton Gabardine. They were mostly turned into rain capes or simple utility coats with padded shoulders, wide lapels and collars and big belts forming the typical masculine/military shape. Hemlines rose to just below the knee (their legs must have always been cold and wet) and colors dulled down into drab military hues. What is remarkable about the 1940s is the new coat styles that emerged during the decade have stayed with us ever since.
The utility coat, also called a shop coat, was a straight fitting coat with button or zip front that was usually hidden behind a fly for maximum weatherproofing. They buttoned up with a high round collar and had two very large flap or slit pockets on the sides. They came in neutral colors (army tan) or grey and were otherwise not very pretty, just practical.
The most iconic of all 1940s raincoats was the trench coat. It was a direct copy from men’s military coats with very wide notch lapels and a convertible collar, wide belt plain with rectangle metal buckle, epaulets on the padded shoulders, deep side pockets and two rows of buttons on the double-breasted front. Men’s raincoats looked almost exactly the same. Colors were limited to tan (fawn), navy blue and sometimes black.
The most feminine 1940s raincoat was the wrap coat. Single breasted with wrap over sides, it tied instead of buttoned or zipped. It has a wide notch or peak lapels or high round collar. Slash pockets on the sides minimized bulk keeping this jacket streamlined and dainty. It wasn’t a very good option for heavy downpours but for light to medium rain, it was a good choice. It was usually lined a cotton or other soft fabric in a bold pattern like plaid. It came in cotton or rayon gabardine or a treated shiny “paratroop” twill rayon for more waterproofing. By the end of the decade, it was offered in more colors like medium blue, black, airforce blue, gray, bright green, brown, or natural.
Sometimes these were called box coats, which was a general name for most ’40s coats. They could have buttons or not, pockets or not, a belt or not. Combining some of the elements from each of these classic styles formed an array of new “rain or shine” coats, perfect for staying dry in spring showers.
Rain hats. Just like the 30s, 1940s rain hats were rare. The only one made for rain was the pork pie hat sold as a matching set with a rain jacket. It had a long forward brim with a smaller curled brim at the back and sides. Similar winter hats were made of wool felt in the shape of tams, bonnets, and fedoras. They each featured a visor front to keep the rain off. No rainproof winter hats were the kerchief or headscarf, knit “parka” beanie, wrap turban or wool beret. Learn more about 1940s hats here.
In the 1940s the trend for raincoats in the trench style continued. The 50s version featured more pleating at the back of the jacket to accommodate the full swing skirts and dresses of the decade. They also came with matching caps, similar to a short brim baseball cap. The material was similar to gabardine or poplin cotton but now with new acrylics and synthetics available, there were more blended materials. The coat below is a blend of rayon and Nylon and lined in Rayon taffeta. The tweed coat below was an elegant take on the 40s utility coat. With a high wing collar, velvet trim, and buttons on the top half only it draped smoothly over full dresses and sheath dresses equally.
Plastic rain covers were a returning style from the 1930s. Clear plastic, as well as colored plastics (red, blue, yellow), were heat sealed into overcoats that were completely water repellent. They had attached hoods, a tie or elastic waist and mid-shin-length. If I lived in a rain heavy area I would wear these.
Other raincoat styles were made of all plastic such as the one above. Wrap coats and an oil slicker coat with matching rain bucket hats and tie under hoods with fold back brim (love those hoods!)
The button-down utility coat was still in style too. Buttons were bigger and the length longer, some were even double breasted. The straight fitting coat became more popular as the decade moved on. They were still cut wide enough to accommodate full skirts but the non-belted waist repelled water better. They came in brighter colors (Hot pink! Turquoise!) and graphic patterns such as checks, houndstooth, polka dots and small stripes. If the outside was plain you could count on the inside lining featuring fun and cheerful prints.
What about rain umbrellas? They deserve an entire article of their own. Here is a sneak peek while I work on it:
1950s umbrellas were long and slender, with wood or platsic handles and bold prints like candy stripes, plaid, and polka dots made of waterproof Rayon, Nylon or Acetate. Vedrenne, a French company, sold umbrellas with a handle that unscrewed in the middle so that the handle could match an outfit. The long black umbrella was especially trendy towards the end of the decade when there was an Edwardian / Victorian revival. Handles could be straight, bob or cane shaped with a chain strap. Outer shapes included the pagoda top, classic shade, walking umbrella (long pointy tip) and the small carriage type.
Parasols made a comeback when Chinese inspired clothing and hats (coolie hat) made an appearance in the mid 50s. Paper parasols and lacquer coated parasols sported traditional Asian prints as well as modern designs.
Fashion umbrellas reach new creative designs in the mid 50s. This video from 1956s shows umbrella and parasol fashions with fur trim, guitar-shaped music box handle, all white lace or satin bridal parasol, and ruched chiffon parasol. These were by no means practical for rainy weather. They were usually sold with a matching coat and accessories.