“The year 1970 was a year with no predominant look. Walk a block or so on any big city street, you’de see women wearing Indian block-print bedspread dresses, tight tie-dye T-shirts and hip hugger jeans, afros, boots that hooked up the front, long calico dresses, rose-printed black-challis dirndl skirts, maxi coats, and microminis.” – What We Wore
The 1960s fashion style was still in effect with rebellious hippies and unconventional mods fighting it out in department stores. Short skirts paired with long coats and long skirts paired with short vests. The decade couldn’t decide what direction to take or what past decade to emulate. The mods were reviving the 20s flapper look with cloche hats and shift dresses. The hippies turned back to the Victorian age of handmade modest Live-Off-the-Land peasant clothes. Mature women favored ’40s and ’50s classics. Seventies fashion was a mish-mash, a bit of everything for anyone who had an opinion about fashion.
In the end, comfort and casualness won the 70s fashion battle. All looks fought it out over the decade adapting the mod style into a less plastic, simple ease and the hippie look into a tailored chic. Both turned to the use of color; brights for the mods and earth tones for the hippies. As well as bold patterns. Paisley? Lots of paisleys! The idea that 1970s fashion was an expression of one’s personality replaced the everyone-follow-the-famous trend of the ’50s and ’60s. Clothes were made to mix and match with each other as well as across gender guidelines. Whether the combinations made any sense was another matter. Vogue declared “There are no rules of the fashion game now. You’re playing it and you make up the game as you go.”
While most fashion history books and online articles focus on 70s fashion sub-cultures (luxury, punk, cowboy, hippie, exotica, soul) this one explores what the typical women wore in the 1970s. The housewives and working women in small towns and urban cities had fashion trends that looked a little different than what mainstream media displayed. Some of them were:
1970s Fashion Trends
- Granny dresses, hippie dresses – midi and maxi length Edwardian inspired lace trim prairie dresses
- Shift dresses – short mod dresses to knee length shirtdresses
- Peasant blouses, tunic tops, funny t-shirts
- Bell bottom pants and jeans called flares or loons
- Homemade and decorated clothing – patches, fringe, embroidery
- Pantsuits with silk bow blouses and blazers worn to the office
- Jumpsuits could be worn as casual wear, eveningwear, or for disco dancing
- Long knit vests layered over tops and pants
- Vintage 1920s jewelry and accessories revival
Let’s explore these seventies fashion trends plus show you where to shop for 1970s inspired clothing, shoes, and accessories online.
The mini shift dress, jumper dress, drop waist dress and tunic dress were still trendy dress styles in the early 70s. Sleeveless jumper dresses were worn over short or long sleeve shirts in winter with high knee socks. Drop waist shift dresses and button front sheath dresses gave a nod back to the 1920s flapper era. This time they were made of polyester double knits that were stiff enough to withstand wrinkles and staining. It was the perfect material for the age of low-maintenance fashion and big bold colors. Many dresses had oversized collars and some started to sport hippie prints in yellow, green, and orange flowers or paisley swirls.
By 1973 dresses were looking more like ’40s and ’50s fashion with A-line or pleated skirts and button down tops. Simple one-piece dresses with a belt, cap sleeves, and swingy skirt or the two piece tunic blouse, skirt and tie belt made up most casual ’70s dresses. Many winter dresses came in the button up shirtwaist style with long bishop sleeves and matching belt. Necklines were still quite modest. Pussy bow neckties, small slits, mandarin collars, and large fold-out collars added variety without exposure. In the final years, the drawstring neck and waist belt along with a hemline that dropped to a few inches below the knee loosened up dresses even more.
Colors ran the full spectrum. Jewel tones in fall/winter, pastels, and white in summer. White was an especially popular color for everything from dresses to hats, handbags to shoes. Both daytime and evening, especially evening, turned to white as the hottest color of the ’70s.
There were a few other unique dresses made famous in the 70s although their influence was not always seen in the mainstream:
The granny dress, prairie dress or peasant dress was a mix of hippie meets Edwardian (post-Victorian era) modesty with a touch of folk art. They were tea or ankle length maxi dresses (or skirts) in homey prints. They were trimmed in ruffles, lace, and embroidery. American companies Gunne Sax and Arpeja who sold millions of these Edwardian dresses.
Caftan dresses were Grecian inspired and worn with high heels sandals and beads or pearl necklaces. The caftan became a frequent style of hostess dress. Long, tent shapes with an optional empire belt and huge kimono sleeves that came in bold colors and big exotic prints were also worn by many soul and jazz singers.
The wrap dress designed by Diane von Furstenberg was a cotton jersey shirt dress with a ballerina wrap top. In 1975 Furstenberg was making 15,000 wrap dress a week for everyone from housewives to working professionals! It wasn’t until 1978 or 1979 that they were being made available to the masses and in other materials such as cotton, chiffon, voile, and polyester.
Designer Halston draped dresses made of gold lame, wraps of cashmere and gathers in liquid jersey creating a new evening look that was sexy, free and easy going. His fabrics were stretchy making them ideal for dancing the disco at Studio 54. Other brands followed Halston’s designs incorporating halter necks, glittering fabrics, and floating chiffons into eveningwear gowns.
70s Pants & Jeans
Women’s pants in the 70s had more diversity than the previous two decades combined. Some were waist high and wide leg while others were hip huggers with only a flared leg. Some were tight cigarette fit, straight leg, or very baggy. Some had cuffs, some didn’t. For most women, wearing cotton or polyester knit high waisted and wide leg pants in pastel colors paired with a tunic top, button-down blouse, or snug knit shirt was a daily fashion. Simple and comfortable, pants dominated most of the 1970s for both day and dressy evenings.
Dressy pants were inspired by the ’40s with a wide but straight leg and big pleats at the top for comfort. Palazzo pants built on the wide leg pant trend and doubled it with even more fabric that flowed like a skirt. They were best when worn while hosting an evening house party. Plain colors, as well as big floral prints, made these pants a dramatic statement.
It was the blue jean that became the uniform of the 70s. Blue jeans were worn all day, all night, all styles. At first, the designers tried to get women to wear other kinds of pants but women refused to give them up. Instead, new designs were introduced each season giving women an excuse to purchase a few more pairs and upcycle the old ones. In the early 70s, blue jeans that were used or pre-bleached were favored over anything new. Adding contrast stitching, studs, and patches to denim was a creative way to make them unique. The more the better.
By the late 70s, jeans turned back into dark washed and skin-tight. Colored jeans were also more prevalent in later years. Brand names Calvin Klein, Pierre Cardin, Jordace, and Gloria Vanderbilt were especially prized. Wearing a pair of designer jeans with a logo on the back pocket said a woman was in vogue. This was the beginning of designer jeans and high price tags.
Jumpsuits were a stretchy adaptation of overalls. Using the restroom in them was precarious. During the day the jumpsuit was made of double knit polyester, cotton or denim with a zip or button up front, pant pockets and oversize collar. The denim jumpsuit with a zip up front revived the overall look. Evening jumpsuits slimmed down the look into a stretchy bodysuit with a sleeveless or halterneck top. Shop 70s jumpsuits.
1970s jumpsuits in funky prints and shimmering metallics are trendy Halloween or party costumes.
Since a record number of women were entering the professional workspace predominantly held by men, women felt a need to dress-for-success in menswear-inspired trousers, shirts, and jackets. Diane Keaton’s gender-blending role and wardrobe in Annie Hall inspired a new look for the office. The era of women’s pantsuits, although not knew, exploded on the market. Man-tailored blazers were worn over a vest and pussy bow tie blouse with wide trousers and pointy toe boots. Add to it men’s style button down dress shirts, matching suit vests, big hats, flat shoes and glasses the look became a new style for intelligent yet trendy women everywhere.
Pantsuits came in rich colors like burgundy or dark green in winter and pastels or white in summer. The pantsuit was softened with a silk blouse and a loose bow tie instead of a necktie. An oversize collar blouse was another option that mimicked men’s dress shirts. In the early years, blazers contrasted the pants and blouse with bold plaids and checks. Towards the end, they matched into one uniform suit and came in traditional men’s suiting material and patterns such as pinstripe.
Professional skirts and dresses were alternative to pants. Colorful floral prints or solid silks with a modest neckline and a coordinating blazer worn on top could be alternated with dressy pants. Skirts were below the knee A-line, maxi, or pleated solids. This was the uniform professional women. Secretaries and assistants instead wore the same casual, girly styles worn after work and weekends. Think Mary Tyler Moore at her newsroom desk vs Phyllis in her fussy short mini dresses.
Outside of the office women’s casual skirts came in every length from the micro mini to a floor-length maxi. The mini skirt was a carryover from the 60s, still worn by teens and young women until 1973 when skirts dropped to the floor for the first time since the turn of the century. The most popular length and styles were the straight or pleated knee-length A-line skirt. They were roomy around the hip and legs yet often had a partial or full elastic waist for comfort in the middle. These grew longer at the end of the decade when the midi length peasant skirt came out of the hippie movement and into the mainstream. Tiers, gatherers, tribal prints and inset lace created a much more effortless and casual look to a changing decade.
Long peasant or granny skirts offered an alternative to the mini and midi skirt craze. They swept the floor with a full flowing circumference. They were prone to catching on doors, escalators, cars and shoes. The St. Topaz skirt built on the granny look with J shaped gores in alternating fabrics in 1973. Many hippies turned to make denim skirts out of blue jeans by opening up the inside leg seams and stitching them back together. Gores of fabric could be added as well as lace and embroidery trim.
The hippies also made skirts from patches of fabric (quilted style), crochet squares, suede, and velvet. Recycle and upcycle was the name of the game.
Like skirts, women’s shorts came in a few lengths. The shortest both in length and fad were hot pants. They were very short shorts in bright colors of satin, cotton, nylon, denim or velvet and oddly enough worn in winter more than summer. They had an inseam length of only two or three inches but they come up to at least belly button level for that retro high waisted look. They looked very European chic paired with tall boots and bright tights. Adding a long wide-lapel blazer made them somewhat more work appropriate. They were a short-lived fad beginning and ending in 1971. However, they remained popular on the disco dance floor and roller skating arenas for most of the decade.
In general, shorts fit high on the waist and straight through the leg. Knee-knockers was a length that ended just above the knee. Jamaica shorts were a few inches above the knee and short shorts were a few inches below the crotch. Athletic shorts were made of cotton twill or terry cloth with a loose leg, low waistline, and curved side cutouts trimmed in contrasting twill. Shop retro shorts.
70s Shirts, Blouses & Tops
70s blouses were conservative button-down styles with oversized point collars. Polka dots, paisley, floral, and solids made into blouses with big pussy bows or small bow ties at the neck. Long sleeves featured the wide dolman shape or straight sleeves with a balloon wrist. Silk blouses were finally (more) affordable than they have been before WW2. Women saved and splurged on this natural fiber otherwise they work silk-like synthetics which were hot to wear. Sexy blouses had a very low v-neck, something wandering eyes hoped would reveal some cleavage. Since many small chested women didn’t wear bras this wasn’t an uncommon occurrence.
Prarie blouses or hippie blouses were a pretty trend in the early 70s. Some had big pilgrim collars or middy collars, ruffles, bow ties, pintucks, and lace insets. They were romantic in white or pastel solid colors and hippie-like in small floral prints.
Tunic shirts were the ultimate in comfort women’s shirt. The long length also did a great job of hiding big hips, busts and tummies instead of showing them off in a tight t-shirt. They paired well with a comfortable pair of jeans or trousers or layered over pleated skirts. In cotton, they were an ideal summer shirt. In matte jersey or a polyester print knit they could be dressy enough for a dinner party. Each came with a matching tie belt to accent the waist without the pressure of a leather belt.
Mid-drift button down check prints shirts or crop knit tops were summertime casual favorites. The halter crop top was also a favorite look paired with high waisted flares or short shorts. Polo shirts zipped or buttoned up or were left open in a small V with straight or peter pan collars. They fit snug but not tights with short cap sleeves.
T-shirts were tight and short and a means to display funny double-entendres such as “Hot stuff.” Many had contrast bands at the neck and arm, the ringer-T look. Rainbow stripes were also popular. Jersey or cotton tank tops and turtleneck sleeveless tops were casual alternatives to the boyish T-shirt.
Ethnic tunics and shirts such as Mexican peasant blouses, Indian kaftans, embroidered djellabas, African daishikis, and Eastern European folk embroidery became part of the hippie wardrobe. Smock tops were an American version with some lace or crochet overlayed around the neckline. Smocks were comfy but not flattering. They were loved by pregnant women.
Vests were a major layering option throughout the 70s. Long knit cardigan vests were layered over blouses and pants either open and swaying or buttoned up with a belt. Short men’s style suit vest paired with pants or skirts. Pullover knit vests added a layer of warmth without the bulk of a sweater. The hippies liked fringe suede vests, faux fur vests, denim vests, and crochet vests. Almost everyone’s outfit needed some kind of sleeveless vest. Shop vests.
Sweaters. The wrap top or dolman sleeve sweater was a spillover from the 60s. It had a loose top and a very fitted wide waist. Cable knit cardigan sweaters and vests were especially popular in the 70s. Many were held closed with a tie belt, had a small shawl collar, and came with a matching knit shirt for an old “twin set” look from the 50s. Shop 70s sweaters.
The knit poncho was the primary warm layer in the early 70s. Homemade crochet, open weave knits, folk designs and fuzzy plaid blanket ponchos in short and medium long lengths topped not just hippies but mature women’s torsos. Scarves, wraps, and shawls of the same materials, usually homemade, were alternatives. Shop ponchos.
70s Jackets, Coats, Capes
Women’s coats started out with big plaids in long or knee-length trench styles. The trench coat and wrap coat remained in style most of the decade but in lighter pastel and ivory colors. Heavy tweeds, boucle, and tapestry came into fashion and the beginning and end of the decade too. Lengths shorted up to double-breasted pea coat or blazer jacket. The mid-length leather wrap jacket was a trendy favorite as well as the teddy coat, a faux fur-pile boxy half coat. The vinal plastic raincoat or slicker with matching bubble umbrellas in bright mod colors or clear plastic continued into the decades as well.
Many 70s coats are back in style for 2018-2019. Long suede jackets with fur trim. Shearling lined denim jackets. Teddy coats, embroidered coats, and fringe trim coats are all part of the hippie boho revival. There are also many vintage style long coats in rich earthy tone making a comeback this year. Shop 1970s coats and jackets here.
The early 70s fad was for clunky platforms shoes. They were first seen in the late 1930s but revived in the ’70s quest for nostalgia. At first, the platform was a modest 1 inch sole similar to late 40s shoes. Soon the sole grew to 2 or 3 inches with a 5 inch heel. The platform found their way onto oxfords, sandals, and boots. These clodhoppers look the wiggle out of walking in mini skirts making them feel a little less obscene. They looked best with flared jeans or pants.
Shoe designers personalized platforms for different fashion audiences. Decorated with studs or rhinestones they made Pop stars pop on stage. Mainstream designs featured patchwork, embroidery, leather or painted art. With high ankle straps and fruity colors- peach, yellow, pistachio- even plain platform shoes were a pop of color against a neutral outfit.
Clogs were the footwear of workers in Sweden and the Netherlands, a lifestyle romanticized by the Hippies. They were heavy and bulky but easy to slip on and off, unisex, and comfortable. Usually featuring wooden soles and a leather strap or top with open heels. Mules were combined with the clog sole in the mid-70s and flew off the shelves. In summer, sandal heels with wood soles complimented floral dresses.
Wedge heels were another throwback to the 1940s. Wedge loafers, wedge sandals, and wedge oxfords each had a cork wedge sole and a full coverage body. Canvas wedge sandals were colorful in summer with white laces.
Chunky square heeled shoes provided a stiff but sturdy heel in the middle of the decade. Colors were plain white, brown, yellow or red with minimal decor. They were heavily influenced by menswear shoes of the 60s.
Vintage dancing shoes from the 20s and 60s put women back in dainty heels in the mid-70s. T strap, mary janes, cross straps, and ankle straps perched on thin but sturdy stiletto heels. They were especially popular as evening shoes and disco dancing heels. Snakes skin prints were part of every stiletto shoe designers collection.
Boots, particularly tall lace-up granny boots in tapestry fabric or leather paired with long peasant dresses. The mod go-go boot was still worn in the early years with mini dresses and skirts. Cowboys boots entered mainstream fashion in America. Women felt strong and powerful in boots.
Birkenstock sandals emerged in 1967 and were quickly picked up by hippies. The contoured footbed and earth tone colors fit right in at festivals, concerts, and rallies.
Granny boots, clogs, platform sandals, and summer wedges are back in fashion. Shop 1970s shoes here.
Sport Clothes- Athleisure
Wearing jogging outfits with tennis shoes was something women did regardless of athletic ability much like today’s yoga pant phenomenon. They could be worn at all hours of the day or night by women of all shapes and sizes although they were preferred by women who had gym bodies. The same could be said for dancewear- leggings, leotards, crop tops, and terry cloth coverups. Sweat-suit chic? Absolutely.
Dance clothes made their way onto the disco floor in the later 70s. Ballerina wrap dresses, jersey jumpsuits, and metallic leotards danced into the 80s.
Farrah Fawcett wore Nike running shoes with her jeans kick-starting a trend of athletic shoes. Shop retro sneakers here.
Swimsuits such as the bikini with boy shorts and a tie front, halter tops with cut out sides, or plunging front made beaches and pools a place to see sexy skin on display. Modest swimsuits such as the swimdress or bubble top were more welcome by mature women. Geo prints, tribal prints, mod colors, and earthy hues made swimwear a vivid experience. See more pictures of 70s swimwear and shop retro swimsuits here.
Despite the trend for women to be bra-less and girdle-less in the 70s, the luxury lingerie market was hot stuff. Intimate apparel was displayed in department stores front and center. The designs were light and airy camisoles, teddies and step-ins made of silk or silk-like nylon trimmed in lace. Bras, panties, and slips were so pretty that it seemed a shame to cover them up. Even practical cotton panties and bras were pretty when trimmed with lace.
Most women who toyed with going braless choose to wear bras anyways. Bras were designed to be minimal and non-accentuating. Protruding bullet brads were a thing of the past. Now women’s breasts could hang in comfort. And hang they did with only a bit of fabric to keep jiggle at a minimum.
Shop retro lingerie here.
Makeup and Hairstyles
The painted face, baby doll exaggeration of the mods was a thing of the past when the all natural hippie look took over. No makeup (unless it was unnoticeable) was the ideal for many women. The no make up followers still favored lip gloss to prevent chapped lips and add just a touch of shine.
Those who opted for the natural look using some make-up would:
- Eyes- shimmer eyeshadow on the eyelids with black or brown mascara on top and bottom lashes. Shadow colors were light blue, brown, lilac purple and green. Three tones could be applied to the eyelid in heavy pastels for the evening.
- Eyebrows were brushed and tamed with clear mascara
- Light liquid foundation or powders with some pearlized shimmer add a healthy glow
- Bronze powders give a suntanned kiss all over the face.
- Berry rouge on the apples of the cheek applied in an L shape (high to low, out to in).
- Clear lip gloss or light pink or nude pearl lipsticks. Thin lips with a slightly full bottom was the ideal shape. Try peachy pink, light peach, ivory nude, orange-coral or bright fuchsia. Use cream bronzer on lips for a very subtle natural hippie look. Look at Besame’s vintage makeup collection for authentic colors.
Hairstyles came in a few popular looks inspired by famous actresses and athletes:
Straight hair– Long perfectly straight hair was desired by many teens and young women. Like Marsha Brady hair was either straightened at the salon or literally ironed at home with a clothes iron. It was a risky process.
Afro– The opposite of the stick straight hairstyle was the all natural curly afro. Not just worn by African Americans it too was favored by any woman with fine, tight, curly hair. The natural look freed women from the expense of weekly professional hair straightening and styling.
Women of any hair type could let their hair be natural in the 70s. Wavy? Yes! Short and fine? Yes! Wash, air dry and be out the door. No one would think the wiser.
Many women did not like the afro. Instead, African American hair was straightened and styled into any of the other popular smooth looks such as the bob, the pageboy, wedge, or flip.
Mullet– Not just an 80s fad, the mullet came in style in the 70s for women and men. Short, wide bangs with medium length hair only in the back created this iconic hairstyle. It was ugly but at the time seemed like an easy to care for and fashionable genderless look.
Shag – The shag was a very popular messy hairstyle that featured all over layers of wavy or loose curly hair. A blow dryer (a recent invention) helped aid the layers in flipping outward adding to the volume. Shags could be short or long. Many women who cut their hair short in the 70s never went back to long hair in the decades to follow.
Wedge – Dorothy Hamill, figure skater, sported this boyish bowl cut where the bangs were cut at an angle for a slightly more feminine look. Her hair floated when she skated and many women immediately copier her effortless beauty. Janice in Three’s Company started off the series with a wedge cut in 1977.
Bob– The 1920s flapper bob came back in the 70s and stayed the entire decade. Short chin length straight hair and bangs were perfect for thin straight hair on a narrow face. Curly hair curly hair could also be bobbed but was usually a bit longer and shaped into the bowl cut. The allover short poodle cut was a favorite of curly haired mature women.
Feathered – Farrah Fawcett, everywomen’s dream beauty icon, sported the new feathered hairstyle. Also called the Farrah Flick or flip, it was a long and wide cut with layers that swept away from the face. It was lighter than the shag but still had plenty of bounce and fluff when running through the streets chasing bad guys in Charlies Angels. A similar style by Marie Osmond, teen idol, featured long hair hot rolled into bouncy curls from the ears down.
The pageboy was another medium straight hairstyle with ends rolled into the neck. It could also be chin length with a smooth bop, fluffed bangs, and curly tips.
Hats- While hats had been slowly going out of style in the 50s and 60s, many young women in the 70s still wore them. The wide brim floppy hat is probably the most iconic of the decade. It paired well with peasant dresses especially in white mesh in summer or with hippie clothes in brown suede or handmade quilted designs. The wide brim and tall crown cloche continued to be a regular in the 70s in all sorts of felt colors with wide buckle bands. Similarly, the casual bucket hat with or without a fold up brim was a summer staple. The tall crown baseball hat and sun vision were also sporty favorites.
My favorite hat is the cricket hat or newsboy cap which came in every material and color imaginable from terry cloth in summer to corduroy in winter. The best hats for winter had to be hand knit beanies and berets. Chunky knits with wide open weaves looked like a hat grandma made. Slouchy berets and beanies were loved by hippies. Most of these hats are back in style now.
Headbands were common hair accessories for hippies. Leather or suede forehead bands decorated with beading, braids, macrame, feathers and flowers matched the earthy vibe.
Scarf- A tied around the neck or around the head like a kerchief was carried over from the 60s. Thick winter scarves draped over shoulders. A lighter spring scarf could be tied from one shoulder and pinned at the waist for a very high fashion look.
Belts – Most clothing was sold with a matching self-fabric belt or tie belt. Most women also had wide belts with ring buckles to add over a tunic top or long shirt. Thin and thick belts made of natural materials like macrame, woven tapestry, and recycled fabric added variety to the hippie look. The early years still saw colorful plastic belts and rainbow elastic belts, especially with teens. Shop vintage style belts.
Handbags– The macrame body bag was the new purse style of the 70s. Long shoulder strap with a rectangle or rounded woven body in ivory was a summer essential. The bobo bag, pouch bag, saddle bag, and satchel were large enough to carry anything and everything in them. Women favored earthy brown leather, blue suede, tapestry prints, or green vinyl in winter. They looked handcrafted but usually were purchased. Mature women turned to quilted handbags with ring handles for their crafty style. In the evening a rectangular clutch bag with a wrist strap or vintage beaded, mesh or sequin frame bag held essentials beautifully. Shop 60s and 70s new handbags.
Sunglasses – Large oversize square, rounded and aviator style sunglasses were worn by men and women. Shades could be smokey grey, natural amber, or tinted brown. Women’s frames were usually plastic tortoiseshell in natural colors. Small round mirror sunglasses were favored by hippies and musicians. The lenses came in a rainbow of color options. Shop sunglasses.
Jewelry – Jewelry took a flashback to the 1920s with layers of long pearls, colored beads, and tassel necklaces. Evening rhinestones bib necklaces, chandelier drop earrings, ceramic bangles, and gold snake chain necklaces were also revived from the 1920s and 1930s. The 60s mod jewelry continued as well with round hoops, art deco button earrings, and thin gold bracelets. Gold was especially popular throughout the decade from gold hoop earrings to gold buttons to gold chains.
The hippies favored chunky jewelry made of bone (faux ivory), wood, yarn, leather, and suede. Some were carved into peace signs.
Teens often made colorful friendship bracelets to give to one another. They also wore mood rings- colored gems that changed with body temperature predicting what “mood” she was in. When David Cassidy wore a puka shell choker necklace so did everyone else. A flower pinned to a lapel of a blazer added a touch of the feminine to a masculine inspired look.
And that concludes this overview of women’s 1970s fashion. The 70s were such a huge range of clothing styles it is impossible to cover every fad and fashion but these are the most classic as worn by everyday normal woman and teens and some hippies. Have a question? Want to know more about a specific fashion area? Just ask, or leave a comment below and share your memories of 70s fashion.