The 1930s was a turbulent decade where the free-spirited, reckless, youthful “me” class of the roaring twenties was replaced by serious, masculine, working-class men who had responsibilities to home and country. The stock market crash of 1929 not only put men out of work but out of reach of high fashions coming from Europe. The new man of the 1930s was conservative yet colorful, oversized yet practical, and confident yet concerned about his spending on unnecessary clothing. His clothing “larger than life” look spoke to his optimism for a recovering economy and his role as the patriarchal head of household.
In the 1930s, the athletic body seen on boxers, swimmers and Superman became the ideal men’s shape. Clothing reflected this new silhouette with extra broad shoulders, thin waists, and tapered wide legs. Everything was big, tall and surprisingly comfortable as the looseness of clothing made it easier than ever to work and play. Work and play is about all men did. Long hours working laborious jobs meant enjoying what leisure time they had all the more important. There continued to be an increase in playing sports, not just watching, vacationing (camping and beaches) and going to the movies where the leading men of the silver scene cruised the world in style, solved murder mysteries, and won the heart of a beautiful but helpless lady.
1930s Men’s Suits
With the exception of labor workers or uniformed servicemen, men wore a suit from the moment they dressed for the day to retiring back home. Suits could be formal or casual depending on the cut, material and color as well as time of day and occasion they were dressing for.
1930s men’s suits colors favored medium blue, tans, beige, cream, golden browns, and many shades of grey in spring and summer. Fall and winter enjoyed navy blue, medium brown and dark grey tones. Besides color, the 1930s man wore suits with distinctive patterns. Bold patterns such as large plaids, windowpane, chalk stripes, checks, and herringbone appeared in every color summer or winter. Chine, birds eye, vertical stripes, and diagonal stripes were all common spring and summer weaves. Glenn Plaid or Glen Urquhart check was the most popular suit pattern by far.
The difference between ’30s patterns and ‘20s pattens was the overall tone. The 1920s loved clashing colors in their patterns while the 1930s were more subtle with lighter or darker shades of the primary color. For example, a light grey plaid suit would have medium grey lines. In the 1920s, those lines might have been blue, green or brown.
1930s suits were cut to add the illusion of both height and width. Suit jackets were long with wide padded shoulders and wide rolled notch or peak lapels. Peak lapels stretched out a bit further in the 30s with an angled tip upwards. The jacket nipped in at the upper waist and skirted out over the full hip. The double-breasted suit was especially good at adding width to the thin man. Portly men looked better with a box back jacket with or without center seams to allow for more movement.
Suits jacket backs came in two styles. The belted back was a sportier carry over style from previous decades while the ventless back was a newer, smoother and length enhancing jacket that was also more affordable.
Most suits came with a matching 5 or 6 button vest, with or without lapels and four slit pockets. Most were single-breasted vests, but a few still chose the more formal double-breasted waistcoat with two pockets. There was a brief trend of the collegiate two-tone vest with belt and the straight hem vest with high waisted Britsh trousers. Suit vests were not required to be worn, and typically only were worn by older gentlemen or savvy young dressers.
Suit pants fit high on the waist, bulged out over the thigh and knee and tapered slightly down to the ankle, usually with a cuff. Leg widths were about 22 inches at the cuff. Pleats at the waistband allowed more fabric to drape down creating a baggy effect. Non-pleat pants were equally popular and better at creating a smooth lean look. A single pressed line down the center of the leg (both front and back) added to the heightening effect. This wide, leg high waisted trousers style is the opposite of today’s skinny suit.
Trouser waistbands were unique in the 1930s. The extra wide band, sometimes called a Hollywood trouser, without belt loops was favored by young men who wore them with sweater vests or sports coats. Metal ring tabs on the sides tightened the pant to the correct fit without the need for belts or suspenders.
The typical suit pant had a semi-wideband with dropped belt loops to hold a skinny plain leather belt. The zipper fly was introduced in the early 30s but was met this hesitation (were they safe?) By the mid 30s mass marketing of the improvement of the smooth zipper fly over the bulky button fly converted most men to it. The very deep crotch drop remained a part of men’s trousers for another few decades- something you will notice when wearing vintage or reproduction men’s 1930s trouser over modern inspired wide leg pants.
Altogether a 1930s man’s suit consisted of a Harris Tweed double breasted overcoat worn with a 3 piece single breasted suit with a mid-sized stripe or small cheviot pattern to it. A colored tie, cuffed pants, tan leather gloves, and a cane or umbrella accessorized the suit to business class formality.
1930s Summer Suits
Exchanging winter suits for summer suits in the past was very subtle. Only men who lived in or vacationed to tropical climates wore white suits but in the 1930s “summer whites” and tropical fabrics went mainstream from spring to early fall.
Palm Beach suits (brand name as well as a general title for summer suits) made of a blend of cotton and mohair with an open weave feature single-breasted jackets (dark or light) with notch lapels. Other summer suit fabrics were seersucker, shantung silk, rayon blends or linen. Tan gabardine was the preferred summer suit fabric for most middle-class men. It was heavier than the tropical fabrics yet tailored well for a refined business suit. Gaberdine trousers could equally pair with a polo shirt for a casual afternoon.
Stripe suits came in a variety of styles from 1-3 stripe sets with bold or faint lines, dot or fleck lines, thin chalk stripes, or shadowy chalk stripes. Choosing a stripe style was a matter of aesthetics. Thin stripes elongated a shorter man, while thicker stripes made a thin man appear less fragile. Everyone wanted the Superman look, and the right striped suit could help make that happen.
Americans had a more casual take on summer fashion than their UK friends. Summer yachting or captain suits were mismatched sets navy jackets were worn over white or ivory trousers. This is a fun look usually characterized by yacht or cruise passengers in the Golden Age of Hollywood movies.
1930s Men’s Sport Coats
Men’s suit jackets could be made into sportier sport coats instead. Sports coats featured a sewn on belted back with pleats at the shoulder, belt or both for ample movement. Sport coats came in more color choices than plain business suits. In the mid 30s gaberdine coats came in a full range of golden tans, blues, browns, light grey and ivory. Green and burgundy, although less common, added some more color to the earthy palette.
Each sports coat was paired with a matching or contrasting pair of trousers. A tan coat with ivory pants, grey coat over brown pants, a blue coat over light grey pants. Textures, too, could be mixed such as a tweed coat over a smooth gaberdine pant.
The sports coat look was a bit too casual for British men to wear outside of the country but for Americans, it was becoming acceptable to wear to the office. It was also much more economical to mix and match coats and trousers, extending the life of one’s wardrobe. The happier colors, too, kept men’s spirits up giving them motivation to purchase new clothing.
Men’s Formal Suits
Very formal morning dress for upper-class men included a black or dark navy blue morning coat (or cutaway coat) with draped cut shoulders, tapered sleeves, peaked lapels, and in America, silk lapel facings (but not in Britain.) Paired with solid grey, grey stripe or herringbone print wide leg trousers, white wingtip shirt, white or buff morning vest, dotted tie, grey or black top hat, and white or grey gloves. It was reserved for upper society formal day time events. It became too formal for most of the 1930s and quickly went out of fashion except for weddings which continued to take place in the morning.
For men’s formal evening occasions (after 6pm), a black double-breasted 6 button dinner jacket (tuxedo jacket) with long broad pointed or peak lapels and square shoulders was a classic style. The dinner jacket cut was high on the thigh with straight vent-less tails. Dinner jackets could also come in dark colors, such as this deep red jacket, in single- and double-breasted styles. The white dinner jacket over black pants was also a new look in the 1930s and one which screams Old Hollywood fashion.
Worn with black trousers, black or white V cut vest, white button-down wingtip shirt, black or white butterfly bow tie, white pocket square, and black patent pumps the tuxedo is and was the most traditional formal wear style.
For even more formal occasions, a thin fitting tailcoat paired with black satin-striped trousers was all the rage. Fred Astaire wore one dancing across the silver stage and every man wanted to copy him.
Men’s Dress Shirts and Ties
Dress shirts were not very different in the 1930s than they are today. Vertical stripes, windowpane or small checks were the most common prints on almost any color ground imaginable. Common dress shirt colors were saturated green, mustard, blue, burgundy, brown, and grey as well as pastel yellow, rose-pink, ivory, peach, and white. Cotton broadcloth with drop stitching made up the bulk of men’s dress and casual shirts. The fad for thin satin striped dress shirts exploded in the late 1930s. All silk rich-hued dress shirts were also extremely popular as well as the cheaper rayon dress shirt.
Shirt cuffs were single button cuffs or double French cuffs for the very fancy dresser. Most dress shirts had a single chest pocket as well.
Shirt collars were no longer stiff and detachable like they were in the early 1920s. Instead, soft, attached spearpoint collars contrasted with the wide lapels of the suit. Spearpoints or arrow point collars were long and thin ending in a sharp tip or point. Most collars were 3 or 3.25 inches long but could extend down 5 inches. Clark Gable wore the 4.5 to 5 inch California collar in a few of his movies. Other stars wore the wide Windsor collar with the wide knotted Windsor tie.
Shirt collars were prone to curling up so many gentlemen turned to use gold collar pins to hold them down and keep the tie knot in place. Most collar pins were plain but some fashioned “sporty” motifs when wore in casual settings. Collar pins were eventually replaced by the button down collar in the mid-1930s. The pinned collar and button-down collar was short or medium in length with somewhat wide spacing. A short, rounded edge collar, popular between 1935 and 1938 when wore with small knot four in hand tie.
Multiple colors of horizontal stripes, plaids, checks, windowpane, small paisley, large dots, pin dots, argyle and sports prints clashed with men’s shirts. It was a wild and colorful time in menswear. The hand-painted tie with Art Deco motifs became collector’s items then and now. New in the 1930s were handwoven wool ties made of textured fabrics like tweed boucle, crochet silk, and twill. Both Windsor knot neckties and bow ties were worn with widespread collars- a trend started by the Duke of Windsor.
Initially, an inspiration for men’s outerwear came from the British Grenadiers greatcoat. The Americanized guard’s coat featured a shoulder line spread past the natural shoulder to line up with the bicep. Shoulder pads helped keep the angular shape. The coat then angled down to the waist creating a V roll from neck to waist with a double breasted lap. Sleeves repeated the V shape by starting out very roomy at the shoulder and narrowing down to the wrist. Side slash pockets, peak lapels, and two pleats on the back side made this a new coat style for men in the 1930s.
The raglan sleeve coat in both single and double-breasted design became very popular in the mid-1930s. Glen laid, plaid over plaid, window pane checks and herringbone were on trend in the later half of the 1930s. Solid colors such as navy blue, grey, brown and tan lined in printed fabric added to the mix. In winter the rich could afford fur lining with fur collars and lapels.
The camel hair top coat and tan wrap over overcoat was another young and wealthy men’s favorite. The wrap over was one of the few coats to come of fashion in Hollywood instead of Britain. Worn with an oversized collar flipped up around the neck, full skirt, shorter length and the tie wrapped loosely to one side. It was simple, carefree and very movie star posh.
The rainproof trench coat is what the 1930s are most known for. Detectives solved crimes wearing a tan, green or yellow (Dick Tracy) trench coat made of a rubberized cotton or gaberdine. The lightweight, belted waist and large collars fit perfectly into the tough guy image of the thirties.
Classic Men’s Hats
The most common 1930s men’s hat was the fur felt or wool snap brim fedora. Fedoras came in light or dark grey or brown with the occasional navy blue. 1930s fedoras featured a tall 5-6 inch crown with a deep center dent, optional pinch front, and a semi-wide 2 1/4 inch brim that shaped down in the front and slightly up in the back. The way the hat was shaped was largely up to the man and his haberdasher. Snap up, snap down, center dent, diamond-shaped, narrow dent? The details were unlimited.
Conservative businessmen preferred the dark gray, brown, midnight blue or black Homburg over the fedora. A rolled brim with grosgrain edging and wide ribbon band with bow gave it a formal stately look. The black derby or bowler hat continued to be worn by some traditional men but was mostly abandoned by middle classes.
Straw hats in the same shape as felt hats were worn in late spring and summer. Colors ranged from white, tan to light grey. The Optimo Panama or toyo continued to be favorites with vacationing upper classes. The round and flat top boater or sailor hat was a stylish hat for all classes in summer. It had a wide band with stripes matching a college, social club or sport club’s colors.
The straw porkpie was the newest straw hat style with a low flat top and snapped down brim all around in the first half of the decade and a wider brim and back snapped up in the later years. The trend of a suntan kept many more men out of hats in the summer than in previous years.
1930s Shoes and Socks
1930s men’s shoes continued in the tradition of the 1920s with classic toe cap Oxford, two toned Oxfords, and wingtips with brogue detail (tiny holes punched in the leather). Black, brown, brown/cream, black/white, and grey/black usually matched men’s suits. In summer, white was the preferred shoe to wear with white or grey suits.
The shape of the toe box started out wide and square until 1935 when it rouned out into a point. Wingtips had the sharpest point. The trouser crease oxford sported a center seam down the toe also elongated the toe box and counter balanced wide trousers.
The 1930s men’s shoe was much more decated then the 1920s and 1940s with brogue, wingtips, side wings, contrast stitching, mesh and weave in summer.
Lace up boots were still worn by many older men and working classes.
Silk socks in all sorts of colors and patterns emerged in the 1930s. Patterns of check and stripes were the most common, just like their suit counterparts. However, socks never had to match the suit. It was perfectly normal to wear bright green and blue check socks under your business grey suit! The influence of casual fashion affected everyone in whatever ways it could. More about men’s vintage socks here.
The 1930s Gangster Style
1930s Gangsters / Mafia / Racketering gentlemen all had a unique and bold style to their fashion. Striped double breasted suits worn with monogrammed shirts were a must have staple. Accessories such as charm bracelets, a signet ring and grey felt fedoras with wide ribbon bands in almond, green, dove, lilac, petrol blue, brown or dark grey identified just which mob you were a part of.
1930s Mens Bespoke Fashion
This 10 minute video is an excellent look at men’s bespoke fashion:
Creating Your 1930s Look:
Want to dress like a 1930s man? Vintage clothes can be hard to find, but well-chosen modern clothing can give you the same look and feel. We frequently dress in 1930s clothing for various themed events in our area. We started out by shopping at thrift stores to save on money. Gradually we replaced our wardrobe with higher quality and more accurate new classic men’s clothing. In the future, we hope to budget for a complete reproduction clothing set ($$$) but for now, we are very happy with our inspired looks.
Finding the exact wide shoulder, high waist, wide leg 1930s suit in used or new clothing is not going to be easy. We recently found a 1970s suit that is close (minus the bell bottom pants!), otherwise, we buy most of our clothes online.
For example, the summer suit on the left is a mix of vintage and new clothing. I used the illustration on the right for inspiration. The pants are 1950s vintage (still wide leg and high waisted). A pair of classic fit pants (no skinny or low rise) with pleated waist will work just as well. The sports coat is a windowpane plaid, single-breasted jacket from Paul Fredrick, which I then took to a tailor friend at my local Jos A. Bank, who added two layers of shoulder pads and took in the back to give it a more tailored fit with iconic 1930s broad shoulders. You certainly don’t have to go the extra mile with custom tailoring, but it can be done (and worth it IMO). Most tailors won’t have a clue how to adjust for a 1930s suit, so bring in several pictures to help them. You may need to get a jacket one size up to allow room for the extra shoulder pads.
Here are some other 1930s looks I have:
(Left) This is a working class business men’s look, using entirely new (used) clothing. You may notice nothing matches. This was normal for the 1930s since the depression created a need for economy in men’s dress.
Brown single breasted suit coat, with lighter brown 6 button vest, and a greenish pleated pant make up the suit. A plain white straight collar french cuff dress shirt and blue, navy and gold print tie coordinate with the gold pocket square. (If your clothes can’t match, at least your accessories should.) The final touches are two tone shoes and a straw fedora hat.
The next look (right) was for a summer day at Lake Tahoe, so I wore my summer whites which consisted of a white dinner jacket (slightly too formal but where else can you get a white jacket?), tan pants, blue striped shirt from Paul Frederick, gold tie and straw panama hat. A straw boater hat would have been another good hat to wear with this look.
For a casual or sporty day look, I often wear Guayabera shirts over wide leg pants, two tone shoes and a straw hat or flat cap. It is a vintage 1930s look but doesn’t look out of place in our modern casual world either. I will get a picture up here soon.
See more 1930s men’s outfit ideas here.
Now that YOU have the knowledge and some inspiration, go out there a create your very own 1930s inspired wardrobe. Use the links within this article and the 1930s menu above to put together your look. If you have any questions please feel free to contact me anytime, otherwise happy shopping.
Shop 1930s Style Men’s Clothing